Leica M6 Classic vs Leica M6 TTL

I was lucky enough to own both Leica M6 classic (Titanium) as well as the M6 TTL (black chrome) during years of my collection. Both are equally well built, film camera with simplistic design which still functions flawlessly even after so many years.

Leica M6 started it's production life from 1984 to 2002 hence there have been quite a few variations and improvements / changes being implemented along it's production life. You will hear models such as the M6 Classic , TTL, Panda, LHSA , Titanium and etc being used to describe these cameras but in general the CLASSIC and TTL is the only difference while the rest are merely cosmetic which sets them apart.

The M6 Classic is the early production units for this model. The design ques was brought over from the older Leica M4 with an additional center weighted light meter while the self timer function was removed. The shutter speed dial, film release lever and etc are all identical. The M6 classic titanium is the polished 'up market' version of the classic M6. It has a titanium 'coated' top and bottom plate and comes with ostrich leather. I stated 'coated' as it wasn't cast out from a block of titanium but merely a coating , but an extremely hard one. The regular M6 classic come with either matte black or chrome finish. Two LR44s batteries fuels the light meter in which could last you easily 10 to 13rolls per change. The battery compartment is located right next to the lens release button which is an ease to use. All M6 comes with three different types of rangefinder magnification which is the 0.72x ( standard ) , 0.85x ( telephoto ) and 0.58x ( wide angle lenses )

The M6 TLL on the other hand is the so called improved / updated version of the camera as it was introduced later. The term TTL refers to FLASH TTL and not to be mistaken as metering TTL as both camera has the same metering system. I opted for the 0.85x viewfinder version so it's a tad easier to focus with this camera. The 0.85 is ideal for using with telephoto or wide aperture lenses which stops down to f1.4 or lower.  This camera comes with paired frames lines( 35 / 50 / 75 / 90 / 135mm ) hence the viewfinder seems a bit more cluttered as compared to the M2 but in return you gain some flexibility of using wider choices of lenses without the need of having additional hot shoe viewfinder which could be rather costly and hard to find specially in KL. The M6 TTL has a larger shutter speed knob which makes adjustments a lot easier, an added OFF function on the speed dial as well to conserve battery and the light meter is -1 EV more sensitive.  The TTL light-meter display has three red LEDs   <under, correct, over > while the older M6 only had a left arrow 'under' and right arrow 'over', which made it more difficult to judge how far you were from correct exposure. The frame counter is a tad wider as well than the Classic model. On the down side, the camera is slightly bulkier being 2 to 3 mm taller to make space for the additional electronics on the top plate. The battery life on the TTL isn't as good either. I could only clock 5 to 6 rolls on the average for a fresh set of LR44s and one has to remember to always OFF the camera when not in use or else the battery will be fully drained the next day. I find this really cumbersome at times. The Classic doesn't seems to have this issue at all which gives it a plus point and hence I travel with it most of the time. I brought my M6 Classic Titanium along side with my digital M240 to the Everest Base Camp in Tibet and it worked flawlessly at such harsh condition. Even at -8 deg Celsius with gushing strong wind it operates flawlessly throughout the expedition. It even accidentally survived a drop when it slips from my hand, thanks to the altitude sickness which hits me halfway when I am on my way to the base camp. I am truly glad the camera survived the fall without a scratch thanks to the protective leather casing I was using. You may view the images of taken with the M6 on "Essence of the Himalayas" here.

Using the rangefinder cameras such as these Leica M’s require sometime of getting used to . First of all, it’s a fully manual camera. Focus and exposure setting are all manually operated.  To focus with these rangefinders, one would just have to turn the focusing tab on the lens to match the superimpose subject in a small rectangular box right in the center of the viewfinder. It maybe cumbersome at first but once you get the hang of it it's fairly easy. Being a rangefinder, the cloth shutter curtain is really silent ( as compared to SLR ) as it does not have a flapping mirror. Almost identical to our modern day mirrorless camera such as the Olympus Pen and Fuji X100.  Also the size of the camera body and lenses is a lot smaller hence carrying the camera all day long would no be much of a problem. Smaller also means less obtrusive and intimidating especially when pointing your camera at a total stranger. Last but not least it's the flexibility of using zone focusing which makes shooting candid so much easier. Basically the photographer will shoot based on the predicted 'in-focus' zone without having the need to focus the lens.  This is the reason why most street photographers love using rangefinder camera as compared to SLR. All in all both the M6s are amazing cameras even though I heart the M6 Classic more and I would label them as a true workhorse of the Leica Ms. For the price of a Fuji XT-1, I would take this camera in a heartbeat and you could still inherit them to your grandson when time comes : )
 

If you would like to know more about other Leica M models in the past article ...click here !

Buying your first classic film LEICA M ?

I can still remember the day I first got myself a Leica camera. It has that mystical feeling or aura which I simply can't put it in words. My hands were sweating and my heart were racing when I was opening the DHL box after longing to own my dream camera for such a long time. The process is indeed rather daunting specially not everyone has the luxury to test every single one of the Leica M ( both film and digital ) in the market and pick the one that suits you perfectly. I am based in a Kuala Lumpur Malaysia and access to vintage film camera is already hard due to the lack of demand and popularity here. Hence I am writing this article to help out those who is keen on getting their very firstfilm Leica M. Below are some points to consider :

1. Do you need built in light meters ?

2. Favorite focal length ?

3. Budget ?

4. Purpose intended for ? Use or collection ?

NON LIGHT METERED M

Leica M3 - Around USD 1000 to USD 1300

Let's start off with the great grandfather of all M's ....the Leica M3. This is the first M every created by Leica dated back in 1954. The M3 is extremely well made, with brass top and bottom and the amazingly huge 0.92x viewfinder is a class on it's own. It has the largest viewfinder and focus patch ever made on any Ms to date. The widest frame-lines is 50mm hence if you are using a 35 or a 28mm lens, you will need an additional viewfinder mounted onto the hot shoe. The cocking and winding mechanism is buttery smooth and it's joy to use.  This camera doesn't come with a built in meter ( as it wasn't even invented yet back then ) and doesn't require any battery to operate as it's fully mechanical. Hence you might need an additional light meter or sunny 16 metering method when one.

As the production life span of the M3 is around 12 years , there are minor updates being implemented along the way hence later / bigger serial number would be more sought after by collectors and users alike. Early production M3 starting from approximately around ( 700,000 ) would have a double stroke cocking mechanism, which means you need to turn the film lever twice to advance one frame. German has always been really safe and precise with their engineering and it's actually a safety factor to avoid film breakage. This function was later changed to single stroke as it reaches 850,000 production number. Go for serial number 950,000 and above and you will be sure to have all the latest and greatest upgrades such as even larger viewfinder, self timer, modern strap lugs and unbreakable metal pressure plate. A chrome M3 will set you back around USD 1.2k while the rare original black paint one is about the price of a kidney : )

Pros : Highest magnification M ever produced ( 0.92x ) hence perfect for 50mm shooter, amazing built quality , silky smooth mechanism , works great with summilux and noctilux , believe to be built without compromise and manufacturing cost in mind . Historic value as it is the first M ever made !

Cons : No light meter , need additional viewfinder to use wider than 50mm focal length , slower film loading mechanism ( but fool proof ) , needs to hunt around for a really good unit as it's the oldest M of the lot. Iconic camera hence most sought after.

Leica M2 - Around USD 650 - USD 900

The M2 was created a year or two after M3 was launched based on feedback gathered from photographers.  It's a more affordable version of the M3 as many photographers couldn't afford the M3 back then. Hence some functions and features were removed to keep the price down. The automatic film counter on the M3 was replaced with a cheaper manual reset version. Secondly early production M2 doesn't come with a self timer function but later it was added back during halfway of the production cycle. The viewfinder magnification was reduced from the whooping 0.92x to the more modern 0.72x to cater for 35mm focal length.  The outlook is still pretty much the same as the M3 except for the top penal which has an obvious rounded film counter. The build and feel is still as good as the regular M3. For the price it makes a good first M camera for most user due to it's attractive price point. One can always add a Leica MR4 or Voightlander VC2 pocket size light meter on the camera hot shoe which makes life a lot easier.

Pros : Wider 0.72x viewfinder makes it more suitable for 35mm focal length, same amazing built quality as the M3 with silky smooth operation, flare proof viewfinder and more affordable as it's often overshadowed by the more bling up M3. A real workhorse.

Cons : No light meter, slower film loading mechanism as M3, manual reset film counter, no self timer on some earlier units ( if you are into selfies )

Leica M4 - Around USD 1400 to USD 2000

There are a few variation of this cameras being produced, the original first production M4 and the later M4-P and M4-2. I would suggest to stay away from the later ones as they were never really sought after. The M4-P and M4-2 were made during the economic down turn of the company, production was moved from Germany to Canada and many of the parts were replaced with lower quality ones. The original M4 is still the best among the rest in my opinion, it still has the same construction as the M2 and M3 with a modern film winding mechanism , easier film loading method and the same 0.72x viewfinder magnification. Again the black version is more sought after by collectors due to it's rarity. Many regard the M4 as the last best classic film M ever produced.

Pros : Modern film loading, modern film winder, still made the same way as the M2 and M3 with top notch materials.

Cons : High price due to it's collectability and rarity as production life was not as long as it's older siblings.

METERED M

Leica M5 - Around USD 800 to 1300

The M5 is the most unique of all film Ms. It's the first M with a built in light meter and the operation was rather primitive but highly accurate. The cds light sensor moves into the front of the shutter curtain once the film is cocked and moves out of the way when the shutter fires. The size of the light sensor is rather small hence it operates like a spot meter. Due to the moving mechanism, some wider angle lenses such as 4/21mm and 3.4/21mm Super Angulons which has a deep protruding rear elements which extends almost to the front of the shutter shutter on the camera when mounted. The earlier version of the collapsible lenses should be avoided as well as these lenses might hit the light sensor moving arm and cause great damage.

Besides that, the M5 body shape and ergonomics was redesigned ground up. It borrowed many of it's design ques from the Single Lens Reflex ( SLR ) camera which was just introduced in the market during that time. The body was larger for better grip ( like an SLR ), the small shutter speed dial from the past was replaced with larger ones which overhangs on the sides with allow the index finger to maneuver it easily, strap lugs position been changed for more ergonomic , film winder been switched to the bottom plate for easier operation. Some calls it ugly but I think it's a beauty. Due the larger body size, it balance with the heavy 50 Noctilux or 50 Summilux really well but when mounted with smaller 35 mm lenses ...it does looks weird. The M5 wasn't loved by much and it was discontinued not long after making it one of the shortest production life M ever made.

Despite it's 'ugly ducking' moniker,  the M5 is one of my favorite so far. The metering is spot on accurate, fast and ergonomics maneuvering and it balance with my chrome 50 Summilux really well.

Pros : Ergonomics , love the spot meter , reasonable price, 1.35v mercury been discontinued hence replacement Wein Cell is not as easily available.

Cons : Big and bulkier than a regular M, collapsible and wider lenses might not be compatible, doesn't looks like a regular M which most people love.

Leica M6 - Around USD 1400 - USD 1800

Leica M6 started it's production life from 1984 to 2002 hence there have been quite a few variations and improvements being implemented along it's production life. The M6 has a few variations ...the Classic and the TTL version and all comes with 3 variations of viewfinder magnification 0.58x , 0.72x and 0.85x

Viewfinder comparison

source : http://lavidaleica.com/content/overview-m-system

The M6 Classic is the early production units for this model. The design ques was brought over from the older Leica M4 with an additional light meter and the self timer function was removed. None of the M5 elements or design features were carried over. The shutter speed dial, film release lever and etc is basically identical to the M4. The body material is no longer using brass as per the older Ms and some components has been switched from metal to engineered plastics to make it more affordable to the masses. The sought after Leica script engraving on the top panel has been removed as well and the viewfinder is more flare prone compared to the older Ms. When shooting against strong sun light at certain angles, the frame lines as well as the center focus patch will be blinded making focus impossible.

On the other hand, the M6 TTL which refers to FLASH TTL and not exposure TTL came out on the later life of the production cycle.  Both Classic and TTL has in camera through-lens metering hence it's rather misleading Leica newbies. The only difference is manual flash or TTL automated flash that's all. The TTL cost a fair bit more and it sucks battery like no tomorrow , well for my unit at least. The classic can last me 20 or so rolls of film per change while the TTL would probably do 5 to 7 rolls if I am lucky. The camera will constantly consume battery when it's cocked or the shutter speed dial wasn't set on OFF mode.

Having both the Classic and TTL version of the M6 in my collection, I would say go with the classic as it has way longer battery life and a few mm smaller as compared to the TTL siblings. Also it's cheaper too !

Pros : A workhorse, built in metering , abundance to choose from with different viewfinder magnification options, easiest to hunt for a good unit, built in light meter , uses 1.5v LR44 battery which are easily available.

Cons : Lower quality materials used as compared to the earlier Ms but still very dependable , flare prone view finder.